2022 // Brass // 543 x 375 x 6 cm // Coporate Collection Redwood City, CA
2021 // Graphite on Watercolor Paper // 312 x 542 x 6 cm, Neue Galerie, Dachau
2021 // Brass // 165 x 145 x 6 cm // Coporate Collection Las Vegas
2021 // Brass // 170 x 140 x 6 cm // Coporate Collection Las Vegas
2021 // Brass // 155 x 200 x 6 cm // Coporate Collection Las Vegas
2021 // Brass // 165 x 145 x 6 cm // Private Collection, Seattle
2021 // Brass // 135 x 128 x 6 cm // Private Collection, Seattle
2021 // Brass // 137 x 128 x 8 cm // Winston Wachter Fine Arte, Seattle
SILHOUETTES AND SHADOWS – 7.9.2019 – 5.1.2020 // Helsinki – Kerava Art Museum
The German born Andreas Kocks is a trained sculptor. He uses thick watercolor paper, sometimes coated with Graphite, Aluminum-, Gold- or Palladium leaf.
Most of his wall installations are site-specific, such as the one he created for Sinkka .
In Kerava, Kocks wanted to blur the borders of the wall space, which is subdivided in two sections and create the illusion of a continuous flowing shape, moving from space to space. This effect is emphasized by the reflection of a glossy grey partition wall. Formed from multiple layers of paper, which Kocks has precut in his studio, the cloud-like shapes spread over the complete 18-meter length of the wall – and thus invite the viewer to experience the whole intersecting movements of the surfaces.
The artwork’s large dimension, the delicate material and the greyish background all have inspired the artist to come up with the title: Elephant’s Breath.
Unbeknownst to Kocks, he has added another layer of meaning to the work through Kerava’s historical circus, which once upon a time housed their elephant, Pepita, next to Sinkka…
As well as cutting the paper, Kocks has engraved relief type images, which are barely discernible on the papers surface. His working process resembles that of drawing with a knife, with the exception that there is no way of fixing any possible mistakes. Each cut is final. The thin lines mark out the edges of the space, over which the cloud-like forms move, like a soft breath of air.
Andreas Kocks lived and worked in New York for almost a decade, but now primarily lives in Munich. He studied sculpture at the Düsseldorf Art Academy from 1980 to 1988, received the Pollock-Krasner Award, New York in 2006 and was a Lecturing Artist at the Savannah College of Arts and Design in 2010/11. He always focused on the integration of Fine Art and Architecture, which is evident in his exhibition pieces, as well as in the public and private commissions he has created for museums and collections worldwide.
All Photos: Pekka Elomaa
2013 // Graphite on Watercolor Paper // 365 x 750 x 7 cm // Collection Sparkasse Mannheim
2018 // Platinum Leaf on Watercolor Paper // 195 x 450 x 5 cm // Private Collection Munich
2016 // Watercolor Paper on Wood // 106 x 84 x 7 cm, framed // Private Collection Penzberg
2019 // Aluminum on Watercolor Paper // 255 x 180 x 5 cm // Private Collection Seattle
2019 // Gold Leaf On Watercolor Paper // 95 x 230 x 5 cm // MGM Studios Las Vegas, USA
2022 // Aluminum Leaf On Watercolor Paper // 90 x 83 x 5cm // Galerie Fenna Wehlau, Munich
2022 // Aluminum Leaf On Watercolor Paper // 120 x 69 x 5cm // Galerie Fenna Wehlau, Munich
2019 // Acrylic on Watercolor Paper // 300 x 240 x 5 cm // Private Collection Chicago
2019 // Watercolor Paper // 420 x 1800 x 10 cm // Sinkka Museum Helsinki – Kerava, Finland
2010 // Graphite on Watercolor Paper // 420 x 1210 x 8 cm // Private Collection Heidelberg
2015 // Graphite on Watercolor Paper // 275 x 190 x 7 cm // Private Collection Mannheim
2015 // Aluminum Leaf on Watercolor Paper // 150 x 520 x 5 cm // Private Collection Mannheim
2013 // Graphite on Watercolor Paper // 258 x 1329 x 7 cm // Horst-Janssen Museum Oldenburg
2013 // Graphite on Watercolor Paper // Private Collection Mannheim
2013 // Graphite on Watercolor Paper // 265 x 325 x 5 cm // Collection White & Case New York, NY
2012 // Graphite on Watercolor Paper // 285 x 610 x 5 cm // Private Collection New York, NY
2012 // Graphite on Watercolor Paper // 350 x 1560 x 7 cm // Installation at Campredon Centre d’Art // L’Isle Sur La Sorgue
2012 // Graphite on Watercolor Paper // 350 x 1800 x 7 cm // Installation at Villa Streccius // Landau
Untitled // 2009 // Graphite on Watercolor Paper // 480 x 450 x 8 cm // Private Collection New York, NY
2017 // Aluminium on Watercolor Paper on Wood // 117 x 117 x 7 cm, framed // Private Collection New York, NY
2014 // Graphite on Watercolor Paper on Wood // 170 x 122 x 10 cm, framed // Meeschaert Group Paris
2017 // Aluminium on Watercolor Paper on Wood // 85 x 85 x 6 cm, framed // Private Collection Freiburg
2009 // Graphite on Watercolor Paper // 390 x 1100 x 8 cm // Installation at Museum of Arts and Design New York, NY
2010 // Graphite on Watercolor Paper // 420 x 1200 x 8 cm // Installation at SCAD Savannah College of Arts and Design Atlanta, GA
2016 // Aluminum on Watercolor Paper // 118 x 90 x 7 cm // Private Collection // New York
2015 // Graphite on Watercolor Paper on Wood // 121 x 99 x 7 cm // Private Collection Starnberg
2018 // Aluminum on Watercolor Paper on Wood // 152 x 152 x 10 cm, framed // Private Collection Los Angeles, CA
2018 // Graphite on Watercolor Paper // 320 x 688 x 6 cm // Installation Museum August Macke Haus Bonn
2008 // Graphite on Watercolor Paper // 280 x 1610 x 10 cm // Collection TBWA Vienna
